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Vocal Compression Settings: A Starting Point

Updated October 2026 · Vocal recording fixes

Quick answer

A compressor turns down the loud parts so quiet and loud words sit closer together. A common starting point for a vocal is a ratio of about 3:1 to 4:1, a medium attack, a fast to medium release and a threshold that gives roughly 3 to 6 dB of reduction on the loudest words. Adjust by ear.

The settings

SettingStarting pointWhat it does
Ratio3:1 to 4:1How strongly the signal above the threshold is reduced
Thresholdto get 3–6 dB of reductionThe level where compression starts
Attackmedium (about 10–30 ms)Slower lets the start of each word through
Releasefast to mediumHow quickly the level returns

How to check it

  1. Bypass the compressor and compare at the same loudness.
  2. Listen for the words: they should be easier to hear, not squashed.
  3. If the voice sounds flat or breathes, reduce the ratio or raise the threshold.

Limits

These are starting points. The right settings depend on the voice, the take and the genre. If you are chasing heavy compression to fix a poor take, record it again.

Try it free: Vocal Checker

Spot clipping, noise, rumble and level problems. Runs in your browser, nothing is uploaded.

Frequently asked questions

What ratio is best for vocals?

Often 3:1 to 4:1 as a start. Move up for a more controlled sound, down for a natural one.

How much gain reduction is normal?

About 3 to 6 dB on the loudest words is a common starting range.

Do I need two compressors?

Some mixers use two gentle ones instead of one heavy one. It is optional.

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