Video podcasts have more moving parts than audio ones. There are cameras to start, lights to check, a sync point to record and a second master to export. The audio is easy to forget in the rush, but it is what listeners hear first and what keeps viewers watching. A short checklist keeps the sound in order without slowing the session.
The checklist below is for a studio or a home setup. It is grouped into three parts, because the sound needs attention at each stage.
Before recording
- Check the room for fans, traffic, notifications and anything that rattles.
- Place each microphone at a steady distance from its speaker, and mark the position.
- Check the cables for hum, crackle and tension, and route them away from power.
- Set the level on each microphone with a test, keeping the peaks well below the top.
- Record a few seconds of room tone with nobody speaking.
- Clap once in front of every camera to create a sync point.
During recording
- Listen to the first minute on headphones, then check again after the first break.
- Keep an eye on the level meter, and watch for peaks that touch the top.
- Note the take numbers and any problems, with the time, so editing is faster.
- Ask speakers to keep their distance and posture steady.
- Check that the recording is still saving, especially on long sessions.
After recording
- Stop the recording properly, and check that every file saved.
- Copy the raw audio and video to a backup, as set out in the backup post.
- Check the sync at the start, the middle and the end of each take.
- Edit the audio master before cutting the picture.
- Check the loudness and true peak of each exported file.
- Listen to the final audio and video on a phone, with the sound on.
Why the order matters
Checking the room and the levels before recording prevents problems that cannot be fixed later. Watching the sound during the take catches a microphone that has moved or a speaker who has drifted. Checking after the session confirms that the files are safe and in sync. Each stage catches a different type of error.
The checklist is short on purpose. A long list that nobody uses is worse than a short one that everyone follows.
Export two masters, check both
The audio version and the video version are separate exports, and each needs its own check. The audio version should match your usual loudness target, and the video version should sound the same level when people switch. The LUFS meter can measure the loudness of each file. Compare the two versions by listening, not only by numbers.
Keep a log for each episode
Record the microphone settings, the room, the level and any problems in a short log. A log lets you repeat a good setup and find the cause of a change later. Over a season, the log becomes the record of how the show sounds, and it answers questions about past episodes when a guest or an editor asks.
Adapt the checklist to the episode type
An interview, a solo show and a panel need different steps. An interview may need an extra check on the guest’s microphone and a short introduction recorded for the edit. A solo show needs a check on the speaker’s distance throughout, since nobody else is there to remind them. A panel needs more microphones, more levels and more care with crosstalk.
Write the variations as sub-lists under the main checklist, so the core steps stay the same and the extras are added only when needed.
Make the checklist part of the schedule
A checklist works only if it is used. Build it into the session calendar, so the setup starts with the list rather than with a search for it. Print it, pin it on the wall or keep it on the phone, and tick each line aloud if you work with a partner. Small rituals like this are what keep the audio consistent over a long season.
Review the checklist every few months. Remove the steps that never catch anything, and add the ones that caught a real problem. A checklist that changes with the show stays useful.
Limits
A checklist cannot make a poor room good, and it cannot replace listening. Use it to catch the routine mistakes, and keep your ears on the episode. Adapt the list to your setup, and remove any step that does not apply.
Keep the sound as the priority
Whatever the picture looks like, viewers judge the sound first. Use the Vocal Checker to check clipping, noise and level in a recording before you export. The Tunedzy Go page covers cleaning a phone recording. For the decision about whether video suits your show, read the decision guide in this series.
Try it free: Vocal Checker
Spot clipping, noise, rumble and level problems. Runs in your browser, nothing is uploaded.
Frequently asked questions
How long does the checklist take?
A few minutes before recording, and a few more after. It saves much more time in editing.
Do I need to check the room every time?
Yes, quickly. Rooms change with the weather, the time of day and what is switched on.
What is the most common audio mistake?
A microphone that moved during the take, or a level that was not checked before recording.
Should the checklist be printed?
Keep it where you can see it while you set up, on paper or on your phone.
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